Thứ Năm, 7 tháng 7, 2016
Thứ Tư, 6 tháng 7, 2016
Đệm hát Ballad
Hướng dẫn đệm hát Ballad đơn giản
Đổi thế bấm tay phải
Piano dem hat | Ballad | phần 1
Piano dem hat | Ballad | phần 2
Piano dem hat | Ballad | phần 3
Piano dem hat | Ballad | phần 4
Accompaniment Piano Pattern Fast Ballad Songs
ĐỆM HÁT RUMBA
Piano dem hat | Rhumba | phan 1
Piano dem hat | Rhumba | phan 2
Piano dem hat | Rhumba | phan 3
Piano dem hat | Rhumba | phan 4
Hướng dẫn đệm piano điệu rumba- Chí Dũng
Thứ Tư, 29 tháng 6, 2016
Legato
Legato
1.First Musical Phrasing - Legato
The Italian word "Legato" (literally meaning tied together) indicates that musical
notes should be played or sung smoothly. In other words when you play legato
there should be no silence as you move from note to note.
Legato means also that you have to perform a musical line in a graceful, connected style, as opposed to staccato. Legato is often indicated by a slur drawn over the effected notes or as a line over the notes which are meant to be performed in this manner.
The accurate way to perform this musical phrasing of on the piano is by pressing a finger, then pressing on the next finger and while the second finger is half way pressed on the piano key, you lift the first finger up.
The slur has two purposes in musical pieces. The first one indicates that a musical phrase should be played in a legatomanner and the second purpose is to state the beginning and the ending of a musical line.
So if you happen two see two identical notes (Like to C's one after the other) in the middle of a slur you could wonder how you're supposed to play them legato.
You must lift your finger in order to allow the second key to be heard again so how can you connect them without a pause?
The answer is that you have to imagine the line as a whole and keep the first note pressed on the key as long as you can before you lift it and move to the next key.
One shouldn't however mix playing legato with TIED NOTES
When notes on the SAME LINE or SPACE are joined by a curved line,
we call them TIED NOTES.
The key is held down for the COMBINED VALUES OF BOTH NOTES.
When we're asked to play Legatissimo we're supposed to perform a
certain musical phrasing of a passage in an exceedingly smooth and connected manner more so than
legato.
Legatissimo is often played in ballads in order to create a warm and intimate expression in the melody.
The accurate way to play the Legatissimo musical phrasing on the piano is by dropping a finger down, then dropping the next finger, keeping them both pressed for a slice of a moment before lifting first finger up (and not half way of the piano key like legato.)
Legato means also that you have to perform a musical line in a graceful, connected style, as opposed to staccato. Legato is often indicated by a slur drawn over the effected notes or as a line over the notes which are meant to be performed in this manner.
The accurate way to perform this musical phrasing of on the piano is by pressing a finger, then pressing on the next finger and while the second finger is half way pressed on the piano key, you lift the first finger up.
The slur has two purposes in musical pieces. The first one indicates that a musical phrase should be played in a legatomanner and the second purpose is to state the beginning and the ending of a musical line.
So if you happen two see two identical notes (Like to C's one after the other) in the middle of a slur you could wonder how you're supposed to play them legato.
You must lift your finger in order to allow the second key to be heard again so how can you connect them without a pause?
The answer is that you have to imagine the line as a whole and keep the first note pressed on the key as long as you can before you lift it and move to the next key.
One shouldn't however mix playing legato with TIED NOTES
When notes on the SAME LINE or SPACE are joined by a curved line,
we call them TIED NOTES.The key is held down for the COMBINED VALUES OF BOTH NOTES.
2. Playing Legatissimo
Legatissimo is often played in ballads in order to create a warm and intimate expression in the melody.
The accurate way to play the Legatissimo musical phrasing on the piano is by dropping a finger down, then dropping the next finger, keeping them both pressed for a slice of a moment before lifting first finger up (and not half way of the piano key like legato.)
Piano Arpeggios
nguồn: http://www.piano-play-it.com/arpeggios.html
There are two fingering groups for three tone chords played as arpeggios:
L.H: (5)-321-321.
LH: 214-214-2.
Notice that in both cases the thumb will always be placed on the white notes - that's very convenient even for the unskilled hand.
So we're basically trying to avoid placing the thumb on a black key.
There are few exceptions to the rules above:
1. When playing an F# major and Eb minor chord we'll apply the same fingering we use when playing a chord with only white keys.
2. The fingering for a Bb major chord in the left hand will be: 321-321-3.
3. The fingering for a Bb minor chord will be 231-231-2 in the right hand and 321-321-3 in the left hand.
L.H. (5)-4321-4321
LH: (5)-4321-4321
When we descend we keep the same fingering order. You can see the
order of the ascending scale in the example above. However if you read
this exercise from right to left you'll be playing the order of the
descending scale.
LH: 21-4321-432
F#7:
RH:234-1234-12
LH:4321-4321-4
Bb7: RH: 4-1234-1234
LH: 321-4321-43
Here are some exercises that will help you to master the Arpeggios. Play these exercises both in major and minor chords through all twelve keys.
Exercise 1 |
Exercise 1 |
Exercise 2 |
Exercise 3 |
Three Tone Chords (Major and Minor)
When playing three tone chords the fingering is based on the natural shape of the hand and the way it fits on the keyboard most easily. So we basically try to make our life as easy as possible without changing our hand position if not necessary.There are two fingering groups for three tone chords played as arpeggios:
1. First note is a white key - (Starting with C,D,E,F,G,A,B)
R.H: 123-123-(5).L.H: (5)-321-321.
2. First note is a black key-(Starting with Db, Eb in major only, F# in minor only, Ab).
RH: 2-124-124.LH: 214-214-2.
Notice that in both cases the thumb will always be placed on the white notes - that's very convenient even for the unskilled hand.So we're basically trying to avoid placing the thumb on a black key.
There are few exceptions to the rules above:
1. When playing an F# major and Eb minor chord we'll apply the same fingering we use when playing a chord with only white keys.
2. The fingering for a Bb major chord in the left hand will be: 321-321-3.
3. The fingering for a Bb minor chord will be 231-231-2 in the right hand and 321-321-3 in the left hand.
Four Tone Chords - Dominant 7th
When playing four tone chords we still apply the rules we've learn in the three tone chords.1. First note is a white key - (C7, D7, E7, F7, G7, A7, and B7)
RH: 1234-1234-(5)L.H. (5)-4321-4321
LH: (5)-4321-4321
When we descend we keep the same fingering order. You can see the
order of the ascending scale in the example above. However if you read
this exercise from right to left you'll be playing the order of the
descending scale.
2. First note is a black key - (Db7, Eb7, and Ab7)
RH: 4-1234-1234LH: 21-4321-432
Exceptions
Click here to see the fingering of all dominant V7.F#7:
RH:234-1234-12
LH:4321-4321-4
Bb7: RH: 4-1234-1234
LH: 321-4321-43
Here are some exercises that will help you to master the Arpeggios. Play these exercises both in major and minor chords through all twelve keys.
Exercise 1 |
Exercise 1 |
Exercise 2 |
Exercise 3 |
Thứ Ba, 28 tháng 6, 2016
Mùa thu nơi miền nước vắng - Осень в тихой заводи
Mùa thu nơi miền nước vắng -
( cảm tác theo tranh của Zoriukov A. )
Thu về tụ hội nơi này
Vùng nước tĩnh lặng trời mây dạt dào
Ven bờ ngàn lá lao xao
Tiếc thương cây gãy hôm nào còn đây..
Làm sao về lại những ngày
Hạ vàng nắng ấm, cỏ cây xanh rờn…
LMP
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